PERCEPTION

. . . Something To Think About . . .
THE SITUATION
In
Washington DC, at a Metro Station, on a cold January morning in
2007, this man with a violin played six Bach pieces for about 45
minutes. During that time, approximately 2,000 people went through
the station, most of them on their way to work. After about 3
minutes, a middle-aged man noticed that there was a musician
playing. He slowed his pace and stopped for a few seconds, and then
he hurried on to meet his schedule.
About 4 minutes later:
The violinist received his first dollar. A woman threw money in
the hat and, without stopping, continued to walk.
At 6 minutes:
A young man leaned against the wall to listen to him, then looked
at his watch and started to walk again.
At 10 minutes:
A 3-year old
boy stopped, but his mother tugged him along hurriedly. The kid
stopped to look at the violinist again, but the mother pushed hard
and the child continued to walk, turning his head the whole time.
This action was repeated by several other children, but every
parent - without exception - forced their children to move on
quickly.
At 45 minutes:
The musician
played continuously. Only 6 people stopped and listened for a short
while. About 20 gave money but continued to walk at their normal
pace. The man collected a total of $32.
After 1 hour:
He finished
playing and silence took over. No one noticed and no one applauded.
There was no recognition at all.
No one knew this, but the violinist was Joshua
Bell, one of the greatest musicians in the world. He played one
of the most intricate pieces ever written, with a violin worth $3.5
million dollars. Two days before, Joshua Bell sold-out a theater in
Boston where the seats averaged $100 each to sit and listen to him
play the same music.
This is a true story. Joshua Bell, playing incognito in the DC
Metro Station, was organized by the Washington Post as part of a
social experiment about perception,
taste and people's priorities.
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This experiment raised several questions:
In a common-place environment, at an inappropriate hour, do we
perceive beauty?
If so, do we stop to appreciate it?
Do we recognize talent in an unexpected context?
One possible conclusion reached from this experiment could be this:
If we do not have a moment to stop and listen to one of the best
musicians in the world, playing some of the finest music ever
written, with one of the most beautiful instruments ever made . . .
How many other things are we missing
as we rush through life?
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